Born in 1968 in the Guruve district of Zimbabwe, Luxon Karise is the eldest of four boys and three girls. He is a devoted husband and father to three sons and a daughter. His artistic journey is deeply rooted in portraying the past, present, and future—breathing life into stone and transforming raw material into symbolic expressions of existence.

“I am the tool, and my spirit wanders through craft, seeking new ways to create. Backed by decades of tradition, my art is not a mere copy but a unique symbol of rebirth in stone.”

His passion for sculpture began in school, where he created his first craft pieces—early fragments of his perception of art as a reflection of character and a message to the world. In 1988, after completing secondary school, he fully committed to his art, joining the renowned Tengenenge Art Community in March of that year. As a self-taught sculptor, he quickly gained recognition for his visionary approach.

By 1989, his talent was acknowledged at the National Gallery of Zimbabwe, where his sculpture “Woman in Anguish”earned a Highly Recommended award. His career flourished, leading to prestigious residencies, including Gallery 2000 and, in 1998, the world-famous Chapungu Sculpture Park in Harare, where his artistry was further celebrated.

“Stone is lifeless until it is mastered and hammered into being. I believe that the style and beauty of a sculpture express the inner feelings and vision of the artist. A sculpture provokes emotion, demands respect, and unveils the secrets of life—honoring the wisdom of those who shaped our world.”

His works have been showcased in exhibitions across the globe, including in South Africa, Germany, the United States, Japan, the Netherlands, the United Kingdom, Australia, Belgium, and China. He refuses to repeat a sculpture, believing that each creation is a unique reflection of time.

“Life is ever-changing—today is not tomorrow, and yesterday will never be today. As life moves forward, so do the challenges and inspirations that shape the future of art.”